搜索"1969" ,找到 部影视作品

售货员
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在一个小镇上,主角费尔南德斯在堂维拉开的五金店里当雇员,他梦想着雇主的死亡,因为他记得有一次堂维拉向他承诺,在雇主死的时候,这笔生意就是自己的了。从那时起已经爱上普拉西尼小姐(Graciela Borges饰演)的费尔南德斯,期待着那一天的来临。费尔南德斯在男性 主导的   五金店和女性主导的普拉西尼一家之间来往,普拉西尼家里只有母亲、女儿和一个白痴儿子,因为父亲已经死了。这两个女人既想留下又想离开,既害怕留在家里又害怕外面的世界
水栖家族
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/ 未知/
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Marine scientist Fred Miller designs the world's first underwater home, but when the business magnate funding his work threatens to end the project, Miller volunteers to live in it with his own family to prove it's practical. The underwater clan includes his water-phobic wife and his daughter and son, who are part of a rock and roll band. They bring along the lead singer and drummer. Along the way, they have to contend with a competing engineer who promises to mine the ocean floor for the businessman. A record producer likes their music and books them on TV, leading the kids to try to escape to the surface.
豪侠传
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/ 程刚/
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故事描述,平西王曹国威因与金龙山强盗结仇,女儿曹翠娥被掳走;曹非常焦急,请剑侠岳震北帮忙,岳估计一人之力不够,遂邀友之妹、百步穿杨的神箭手马金铃一同去金龙山破盗寨;他们又去找深通水性的渔夫李小七;李又推荐力大如牛的樵夫牛迈;四人步步小心,途上又遇暗中相助的神偷梁上飞…
三招了
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/ 杨权/
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恶霸万光华因见周神医不能救其子一命而要杀其全家, 自己反被侠士小白龙所杀. 华之师弟万冲本乃汪洋大盗, 他杀掉即将上任的官员黄伯文, 然后, 假扮他令旧官程伟明护送官银. 途中冲派人抢银, 龙现身救明, 并将官银送返明家. 不久冲将龙及明生擒, 忽又有蒙面人相救. 此人为伯文之子后成, 欲与龙, 明连手杀冲报父仇. 冲聘武林高手对付他们. 龙中暗器昏迷, 成找神医相救, 自己却被冲捉去. 神医嘱龙勿杀冲, 因其师老道人必会报仇. 但龙仍坚决前去. 明救出成, 成与龙大战冲, 老道人出现, 三招了亦尾随而至, 三招过后他丢下帽子离去, 龙明白三招了要暗示老道人死穴所在, 他遂以剑插其头顶, 成亦亲手杀冲, 为父报仇, 龙继续上路锄强扶弱.
意大利任务
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  该片被公认为英国电影的巅峰佳作之一,在英国电影学院评出的100部最佳英国电影中名列第36。片中汇集了大批当年英国影坛的红人。大盗查理(迈克尔·凯恩)刚出狱就急不及待要大乾一票,准备截劫从中国运到意大利的四百万美元黄金。查理在一名黑道头目资助下,展开了一个天衣无缝的盗金计划,出动了三架库珀豪华车、一队积架车及公车来堵塞交通。片中一幕宝马库珀豪华车(MINI Cooper)在好莱坞名人大道上疯狂地追逐,穿过地铁隧道入口,沿着只有迷你汽车才能行驶的狭窄小路狂奔,被认为是影史上经典飙车追逐场面,让观众体验到前所未有的紧张刺激......
巴黎不存在
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This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
泪的小花
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/ 阳明/
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第七日,第八夜
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This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.  The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.
包法利夫人
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Emma Bovary is bored by her country doctor husband and gives in to the affections of several rich suitors as well as the temptation of living beyond her husband's means.
偏执狂
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This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.  I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).  Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).